DigiPak Text

Steve Garragan: Vocals
Mark Prendergast: Guitar
Vinny May: Drums
Jason Boland: Bass guitar

CREDITS

PRODUCED: Joseph Ankle
PUBLISHED: Smooth Records

RECORDED: 2nd St. Studios

LYRICIST: Steve Garragan
COMPOSED: Joseph Ankle
ADDED VOCALISTS: Gracie May

(track 4)
Jessie Cartwright (track 1)
The Kings (track 8)

MUSIC COLLABORATIONS: The Kings

(track 8)
Noises Off (track 6)
Katy Jane (track 10)
DESIGN: Jake Jacobs

With thanks...
Amy Vine, Bradley Jabz, Elliot Risnal, Hannah Barns, Jessie Phellan, Matt Reynolds, Thomas Daley, Anthony Fransico, Ben James

(C) Actual Music ‘98
Under exclusive license to Actual Music.
All rights reserved. Published by Smooth Records Co
facebook.com/kodaline
@kodaline

 

This album was born through the friendship of four guys. Fast forward fifteen years, broken hearts, drunken nights and hungover mornings and ‘Wish you were there’ was created. Sitting around a campfire at Reading Festival 2009, cider in one hand, guitar in the other and magic was made. They sat and sung every night getting the whole of yellow camp involved, of course. The sun set and their silohettes and sounds created an atmopshere like no other. With love being the inspiration, mainly heart-wrenching breakups, it is pure beauty. An album was a long, far-fetched thought for the foursome as they stood in the muddy fields looking up to the Kings of Leon. The sung along, voices ready for the industry and that was the moment. The story behind the voice, the passion of the guitar and the soul of the harmonica are what bring the album together. There’s nothing more mesmorising than the deep, truely touching irish voice working collaboratively with the captivating music to create only the perfect album.
428914 miles, 55 cities, 43 encores, 260 full fat greasy service station breakfasts and uncountable cups of tea later and they’ve made it. Performing their tour every night like they never imagined.
So, here’s to the next five years.

Location Release Contract

This location contract states that I have had permission from the owner of the property for me to use the location.

The making of 50s costume

I decided to utilise the fact that my mum is a dress maker and rather than purchasing a 1950s outift, I would get her to make one instead. I got her to create a skirt using a dark blue material matching a blue top I already had. In order to get the right idea, I had to research a lot into the sort of fashions and styling of the 50s in order to get it just right. This video is a compilation of both moving image and photographs of the process it took to create.

Actor Release Forms

 Actor release forms for my music video, this gives me consent to use my actor's footage within my entire coursework.

Filming/Editing Schedule

Scene One:
Filming - 22nd November 2013, 10-2pm
Editing - 25th - 29th November primarily. Continuing onwards until finalised music video.
Progress: filming of the female performer getting ready. Filmed in the black box studio. All props of makeup and hair products needed and black cloth for the table.

Scene Two:
Filming - 11th December 2013, 3.15-5.30pm
Editing - 12th - 13th December primarily. Continuing onwards until finalised music video.
Progress: filming of the male performer getting ready. Recreation of female's shoot. Filmed in the same location of black box studio. All hair products and costume needed & black cloth for the table.

Scene Three:
Filming - 16th December 2013, 3.15
Editing - 17th - 20th primarily. Continuing onwards until finalised music video.

Narrative Structure of my Music Video

Brand Guidelines

Media Language in regards to my coursework

Raw Footage

Call Sheet for Test Shoot

This is the call sheet for the test shoot I completed on the 16th of October

Risk Assessment

I have created a risk assessment so I know everything that could go wrong whilst shooting my music video and things that I could do to minimise these problems from happening.

The Essentials/Props List

Permission

This is the print screen of the email sent to the management of Kodaline. I am required to ask permission in order to use one of their songs for the course.

Images of location

I took these images of my school hall and drama studio- I think these will be a good location to shoot in as it is easily accesible if I needed to conduct more than one film shoot. The drama studio will be perfect as it is a black box studio and also has a mirror so I will shoot in front of the mirror. I then can change the lighting to block out anything else in the background e.g. display boards, if needed. Also, I will be able to use a lot of lighting because the media department is just upstairs so I will not have the problem of lugging lots of equipment to a chosen location. The stage within the hall is also a great facillity for me to use; the stage itself is not high at all which would allow me to get low angle shots but then if needed, I could get shots from the same level with the use of the stairs. Also, the stage already has stage lighting rigged up above which I will be able to use- this means that I could have the general lighting on but then also use the media lights to add a bit of brightness to one specific area or actor at a specific moment. All I will need to do to use the hall and drama studio is book it out for the evening which should not be a problem.

Shot List

Proposal

Video of me discussing a possible idea for my music video. Most probably the one I will stick with!

Lyric Notes

I decided to print out the lyrics of 'Love Like This - Kodaline' which I could then analyse and write all over, this will give me a clearer understanding of the song and any deeper meanings itself which I can then incoporate within the sub-text of the video. This also will help me to decide whether or not to use this song and if it's right for my intentions. 

 

Proposal

Mood Board

 

How will this help for my music video?
My moodboard will help me as all of the different images are based around either the artist of my song, the genre or images of performances/festivals etc linking to the audience of my music video. All these images will create one overall image of my music video and help someone to establish the main overall idea if they were to look at it.  

Hair Trial

Below are the images I took whilst trailing a 50's hair style. I took my models hair and slightly back combed her fringe so it was easier to style, I then rolled it round so I made a sausage type appearance which I secured with clips. I then simply tied her hair up in a pony tail and put in a patterned hair tie. I think this is the style I will use as it was easy to create and yet looks effective an sticks to the hairstyles of the 50s I have seen in my research.

 

 

 

 

How will this help for my music video?
Completing a hair trial for my music video before the actual shooting will help as this means I won't have to worry about part of the stylling as I wil already know what to do. Also, doing it early means that I could experiment with different styles until I find the one that will be perfect for my music video and comply with the overall theme and style. I can then develop this and get audience feedback by asking open ended questions such as 'What era does this hairstyle fit with?' rather than already telling them what it is supposed to be like.